One of the things that has surprised me as I work to write the Riviera Project is the varied sources I’m working with—and not just the usual automotive-centric ones. One of these unexpected sources is The Secret Lives of Color by Kassia St. Clair.
This beautifully laid out little book carefully treats the histories of 75 separate colors, among them Avocado, Gold, Indigo, Taupe, and Violet. It also includes an extensive preface which discusses how we see different shades, the history of artists and pigments, and other topics around color.
I’m using The Secret Lives of Color to get some overall idea of the history of various individual colors and color theory itself. This information provides context for the Buick Riviera’s often spectacular exterior paint colors, which include Seafoam Green, Aqua Mist, Sunset Sage, Medium Sand Gray Firemist, and Dark Jadestone Metallic.
The Secret Lives of Color is available in a hardback from many sources, including Amazon and Barnes & Noble. It is one book I would definitely suggest getting in paper form—making sure the colors were accurate for it was likely demanding.
I recently passed 35,000 words on the Riviera Project, and with that came the realization that I am nowhere near complete. Looking from the current 36,700 words and 112 pages, I can estimate that completion looks like at least 43,300 words and 132 pages—and likely more.
Progress is undoubtedly being made; I’ve gotten a lot of work done on the chapter that covers the second-generation cars that were sold in the 1966 through 1970 model years. These interesting cars were very popular when new, with almost a quarter of a million sold over five years. I secured a scenic ride in a 1968 last year at the Riviera Owners Association International Meet in Gettysburg, PA, and came away quite impressed.
The second-generation story isn’t merely interesting for the Riviera itself. Part of the story is the arrival of new direct competition over those years; the 1966 Oldsmobile Toronado, the 1967 Cadillac Eldorado, and the 1969 Lincoln Continental Mark III. That’s not even considering the attacks from below from the Chevrolet Monte Carlo and Pontiac Grand Prix—and a substantial revision of the Ford Thunderbird. This makes this chapter a question of balance; the primary story remains the Riviera, but the context of its competitors is important.
2019 is over, so it’s time to assess the overall state of this tiny press for this calendar year.
A lot has gotten done, though my internal clock always tells me we’re slow. The Riviera Project currently sits at 34,500 words and 106 pages. 2019 was definitely a productive year of writing, though it slowed toward the end, because of the holidays and some unanticipated (and completely external) issues.
Over the year, substantial progress has also been made with the Riviera Project‘s overall layout and with data display.
Finally, the J3Studio Press website itself has taken a reasonable amount of hits, though I have discovered that it’s hard to build an audience for a small press from nothing. I’d tell you the percentage of increase from 2018, but the site took zero actual hits in 2018 …
The truth is that I’ve made little progress on the Riviera Project in the last two months—a combination of work, travel, and the holidays have slowed things to a crawl.
Things haven’t been all quiet: I have managed to substantially improve the readability and space utilization of the option tables. I’ve also gotten a better handle on mapping the exterior colors.
I’ve also done some more statistical research. I plotted Riviera prices from 1963 through 1999 against monthly changes in the Consumer Price Index (CPI). Unsurprisingly, the sixth-generation convertibles were the most expensive Rivieras of all, with the 1983 being the absolute peak. What did surprise me was that the 1999 was the most costly coupe even when adjusting for CPI. In constant dollars, the 1974 was the least expensive.
I have hopes of making some more progress before the end of the calendar year. We’ll see what happens.
I’ve been getting more of the option tables done, which only reveals how inconsistent some of the data is. I’ve also become resigned to the statement under Selected Available Equipment in many Buick brochures:
This is a partial list. See your dealer for details.
One thing that helps with getting accurate options data is scans and photos of the original window labels (the famous Monroney sticker), which sometimes turn up in the strangest places. I’ve gotten to the point where I hope for a heavily optioned car when I do find a window sticker—it’ll give me more data!
Options available in a Riviera of any generation are somewhat strange to our modern eyes, where reduced choice is often the watchword. Even at the very end in 1999, the Riviera was available with 12 exterior colors, six optional accent stripe colors, and five interior colors. Contrast that with Buick’s current top-of-the-line car, the 2019 LaCrosse sedan: 10 exterior colors, no accent stripes, and four interior colors.
A few statistics while we’re at it: revision 12 of the book sits at 106 pages. The two longest chapters are on the sixth generation and the seventh generation cars. Unsurprisingly, by far the most pages per year are for the first generation. The eight chapters on each generation currently make up 82% of the book.
My process when writing a book is, I think, unusual. Very early on, I move from raw text to content formatting, creating chapters and moving to a desktop publishing application (I’m currently using Adobe InDesign). This approach helps me with my visualization of what the book is going to be.
It also serves to remind me of when I have fundamental formatting problems. As long as I’ve been working on the Riviera Project in InDesign, I’ve had a big issue; the body text display with my chosen font was simply too wide, both for legibility and looks. I know I’d have to fix this, but I wasn’t sure how.
Sometimes it just takes looking at prior art. I decided to page through a few of the many single-marque books I own for ideas. After viewing quite a few, I found inspiration from the interesting and enjoyable Camaro: Fifty Years of Chevy Performance, written by Mike Mueller and published by Motorbooks. In particular, the layout for the text in the chapters on the various Camaro models and generations seemed close to what I’m looking for.
I saved a new version of the Riviera Project and went to work. Essentially, I divvied what had been the basic single-column page into three even columns. I then set the body text to the two inner columns, with photographs, graphics, and tables aligned to the outside.
At this point, I’m happy with the fundamentals of the new base layout, though I’m sure I’ll refine it further over the next few months. It’s definitely more legible than it was and the new text alignment is visually freeing up the graphics and tables.
Overall status for the Riviera Project as of mid-August 2019: 29,000 plus words over 97 pages with 15 tables and 53 photos and images.
After returning from the delightful Riviera Owners Association’s International Meet in Gettysburg last month, I’ve struggled just a little to translate my post-event excitement into action. The Riviera Project progresses, but not as quickly as I’d like.
As I look back, one of the things the meet did provide me with was a lot of context around various Rivieras and their features. One small example: photographs from period brochures don’t give a great sense of how the fourth generation (1974-1976) Rivieras integrated their high-mounted taillights.
At first, I wasn’t sure if there would be any of the fourth generation Rivieras at the meet—there are a lot less of them being collected than the 1973 and prior cars. However, on Wednesday evening I came out to my car to see a handsome Judicial Black (oh, those bicentennial Buick color names) 1976 parked next to it. So I got some good pictures and, more than that, I got a good overall feel for these cars—I don’t believe I’d seen one in decades.
This example also speaks to the value of attending something like the ROA’s International Meet. Information about some parts of the Riviera’s history is readily available. However, other parts such as the 1974-1976 cars are not nearly as well-covered.
Some statistics for the Riviera Project; as of this morning, we’re at 27,000 words and 81 pages.
On the first full day of the 2019 International Meet of the Riviera Owners Association, the final event was a Guided Rallye through Gettysburg and the surrounding country. I do not currently own a Riviera, and, though other cars were explicitly welcomed on the tour, my preference was to be in a Riviera. However, I didn’t know anyone from the ROA either than virtually before attending the meet, so I didn’t think my odds were good of achieving my objective.
As it happened, I met one of my virtual acquaintances from the ROA section of the AACA forums as we were listening to the pre-road tour briefing. Mike offered me shotgun in his striking Aqua Mist 1968 Riviera, and I jumped at the chance. In a total coincidence, his car was on all the meet materials, including the t-shirt. I wonder how many t-shirts I would buy if my car was on them …
We left the hotel parking lot slowly, with a total of about 17 Rivieras. My number one observation is that the second generation Riviera is a very comfortable car. At no point in our approximately two-hour tour did I feel remotely cramped, despite my 6’2″ and a little over 200 pounds.
Another thing I noted was how much visibility these cars have. I managed to take some decent pictures during the tour, primarily because of the wide views I had available to me in almost all directions.
Finally, it cannot be ignored that Mike’s 1968 is quite spritely. Even with an all-in weight that was likely around 4,700 pounds, The Aqua Zephyr (probably only a week older than I am—another wild coincidence) got up and went when he asked it to.
So, thank you, Mike, for giving me the experience of being in a sixties Riviera driving through the Pennsylvania countryside. I’ll never forget it.
I’m off this morning to do some true primary research for the Riviera Project. By total coincidence, the Riviera Owners Association’s annual International Meet is in Gettysburg, PA this year. That’s only about two and a half hours away, so it seemed fairly apparent that I should make the time to attend.
The meet’s organizers are expecting over 100 Rivieras by the time everyone who has registered arrives. From the early photos posted on the meet’s thread on the AACA forums, I can already see six out of the eight generations represented—the fourth (1974-1976) and fifth (1977-1978) generations have yet to make an appearance.
I see this as a great chance to immerse over the next two-and-a-half days. I’ve made some acquaintances on the ROA portion of the forum, but there’s nothing liking talking to folks in person—and, of course, seeing the cars.
Yesterday I made it to 25,000 words in the Riviera Project. It’s been slower going than I expected, but the results are satisfying. I’ve also made a couple of design decisions, moving to separate tables for options (and learning how to create tables in InDesign) and refining my chapter headings.
I continue to learn a lot, both about the Riviera itself and about all the context around it. I’m also learning that accurate data will be a problem, but for different reasons. With the earlier cars, it’s disagreements about the data while with the newer cars, it’s often a lack of any data at all—especially for the seventh and eight generation Rivieras.
A few statistics while we’re at it: the book sits at 75 pages. The longest chapter so far is on the seventh generation cars, which makes sense since—at nine years—they were the longest-lived generation. The eight chapters for each generation currently make up 81% of the book.